Fear and Trembling: Dialectical Lyric by Johannes De Silentio (Classics)
Kierkegaard, Søren; Hannay, AlastairLanguage Notes Text: English, Danish (translation)
About the Author Danish-born S ren Kierkegaard (1813-55) wrote on a wide variety of themes, including religion, psychology, and literature. He is remembered for his philosophy, which was influential in the development of 20th century existentialism. Alastair Hannay is Professor of Philosophy at the University of Oslo. He is co-editor of the Cambridge Companion to Kierkegaard and has translated Kierkegaard's Fear and Trembling, The Sickness unto Death, Either/Or, and Papers and Journals for Penguin Classics
ISBN : 9780141906232 Formats : EPUB, MOBI
Language Notes Text: English, Danish (translation)
About the Author Danish-born S ren Kierkegaard (1813-55) wrote on a wide variety of themes, including religion, psychology, and literature. He is remembered for his philosophy, which was influential in the development of 20th century existentialism. Alastair Hannay is Professor of Philosophy at the University of Oslo. He is co-editor of the Cambridge Companion to Kierkegaard and has translated Kierkegaard's Fear and Trembling, The Sickness unto Death, Either/Or, and Papers and Journals for Penguin Classics
Classics,Philosophy,Kierkegaard
In Fear and Trembling Kierkegaard, writing under the pseudonym Johannes de silentio, expounds his personal view of religion through the scene in Genesis in which Abraham prepares to kill his son at God's command. Kierkegaard believed Abraham's unreserved obedience to be the essential leap of faith needed to make a full commitment to his religion. The conviction shown in this polemic - that an individual can have an exceptional mission in life - informed all his later writings, and was also hugely influential for both Protestant theology and the existentialist movement.
Translated with an Introduction by Alastair Hannay
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The Sickness Unto Death : Kierkegaard's Writings, Vol 19 19
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Zen mind is one of those enigmatic phrases used by Zen teachers to throw you back upon yourself, to make you go behind the words themselves and begin wondering. "I know what my own mind is," you tell yourself, "but what is Zen mind?" And then: "But do I really know what my own mind is?" Is it what I am doing now? Is it what I am thinking now?" And if you should then try to sit physically still for a while to see if you can locate it—then you have begun the practice of Zen, then you have begun to realize the unrestricted mind. The innocence of this first inquiry—just asking what you are—is beginner's mind. The mind of the beginner is needed throughout Zen practice. It is the open mind, the attitude that includes both doubt and possibility, the ability to see things always as fresh and new. It is needed in all aspects of life. Beginner's mind is the practice of Zen mind. This book originated from a series of talks given by Zen Master Shunryu Suzuki to a small group in Los Altos, California. He joined their meditation periods once a week and afterwards answered their questions and tried to encourage them in their practice of Zen and help them solve the problems of life. His approach is informal, and he draws his examples from ordinary events and common sense. Zen is now and here, he is saying; it can be as meaningful for the West as for the East. But his fundamental teaching and practice are drawn from all the centuries of Zen Buddhism and especially from Dogen, one of the...
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A revised translation of Heidegger’s most important work. The publication in 1927 of Martin Heidegger’s magnum opus signaled an intellectual event of the first order and had an impact in fields far beyond that of philosophy proper. __Being and Time__ has long been recognized as a landmark work of the twentieth century for its original analyses of the character of philosophic inquiry and the relation of the possibility of such inquiry to the human situation. Still provocative and much disputed, Heidegger’s text has been taken as the inspiration for a variety of innovative movements in fields ranging from psychoanalysis, literary theory, and existentialism to ethics, hermeneutics, and theology. A work that disturbs the traditions of philosophizing that it inherits, __Being and Time__ raises questions about the end of philosophy and the possibilities for thinking liberated from the presumptions of metaphysics. The Stambaugh translation captures the vitality of the language and thinking animating Heidegger’s original text. It is also the most comprehensive edition insofar as it includes the marginal notes made by Heidegger in his own copy of __Being and Time__, and takes into account the many changes that he made in the final German edition of 1976. The revisions to the original translation correct ambiguities and problems that have become apparent since the translation first appeared. Bracketed German words have also been liberally inserted both to clarify and highlight...
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Either Or : Part II
Søren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature. He regarded Either/Or as the beginning of his authorship, although he had published two earlier works on Hans Christian Andersen and irony. The pseudonymous volumes of Either/Or are the writings of a young man (I) and of Judge William (II). The ironical young man's papers include a collection of sardonic aphorisms; essays on Mozart, modern drama, and boredom; and "The Seducer's Diary." The seeming miscellany is a reflective presentation of aspects of the "either," the esthetic view of life. Part II is an older friend's "or," the ethical life of integrated, authentic personhood, elaborated in discussions of personal becoming and of marriage. The resolution of the "either/or" is left to the reader, for there is no Part III until the appearance of Stages on Life's Way . The poetic-reflective creations of a master stylist and imaginative impersonator, the two men write in distinctive ways appropriate to their respective positions.
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The various kinds and conditions of love are a common theme for Kierkegaard, beginning with his early __Either/Or__, through "The Diary of the Seducer" and Judge William's eulogy on married love, to his last work, on the changelessness of God's love. __Works of Love__, the midpoint in the series, is also the monumental high point, because of its penetrating, illuminating analysis of the forms and sources of love. Love as feeling and mood is distinguished from works of love, love of the lovable from love of the unlovely, preferential love from love as the royal law, love as mutual egotism from triangular love, and erotic love from self-giving love. This work is marked by Kierkegaard's Socratic awareness of the reader, both as the center of awakened understanding and as the initiator of action. Written to be read aloud, the book conveys a keenness of thought and an insightful, poetic imagination that make such an attentive approach richly rewarding. __Works of Love__ not only serves as an excellent place to begin exploring the writings of Kierkegaard, but also rewards many rereadings.